Davis miles

'He was the one who goes ahead and shows the way,' says Waits

Back to what he does best – and on the perfect label...

After last week’s kind of dutiful list, some better things on this one, I think. Headline news, I guess, is the arrival of the Avey Tare album, though I’m also very taken with the new single from Forest Swords, and of course the much-needed official reissue of Peter Walker’s debut.

The week’s gone by at such a clip, we’re nearly at the end of it and I still haven’t, I’ve just realised, written about this show, which was frankly too good to let pass without comment, however belated.

A beautiful day, in London at least, and one which inspired me to find some salute-to-the-sun music for heading into work. “Unbroken Chain” and “What Would I Want, Sky?” worked pretty harmoniously as I was crossing Millennium Bridge; just wondering if something akin to spring has changed your listening habits in any way?

Worth mentioning the subtitle of this straight off: “Experimental German Rock And Electronic Musik 1972-83”. “Elektronische Musik” is a 2CD comp that pulls off a fine trick that'll be familiar to those of you who’ve enjoyed other Soul Jazz surveys (not least last year’s amazing “Freedom, Rhythm And Sound” revolutionary jazz comp).

Back from a week away, then, to discover that a few records have managed to limp through – at least digitally – in the face of the postal strike. Prominent here I guess are that rarity, something promised by Neil Young that actually turns up, and Them Crooked Vultures, with Josh Homme playing Alpha Male with John Paul Jones and Dave Grohl.

His legendary performance, delivered in full on audio, and in part on DVD

…his orchestral soundtrack, for a film about a road

There’s an interesting snippet in the next issue of Uncut, when the Flaming Lips’ Wayne Coyne talks about Portishead’s “Third”. “It got under my skin,” he says. “From the standpoint of being in a band, they do some fun production things, it’s pretty inspiring. I liked how they embraced more stranger elements of prog-rock, and Silver Apples-influenced drum loops and things like that.”