Various Artists – Girls Go Zonk!!

Sublime selection of Shangri-Las-style also-rans

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Fugazi’s Ian MacKaye: “We decided we were going to start a new scene”

The new issue of Uncut revisits the birth of post-hardcore in Washington DC

Mogwai: Album By Album

Founded in 1995 and initially a trio, Glasgow’s Mogwai made their debut with “Tuner/Lower”, a self-pressed seven-inch in thrall...

Pete Townshend looks back at The Who in 1967: “I don’t think I was angry”

Smashing guitars, hanging out with Small Faces and keeping Keith Moon onside

Introducing the Deluxe Ultimate Music Guide to Bob Marley

In-depths reviews and archive encounters with the reggae legend

Where big guns from the Phil Spector and Shadow Morton stables led the pack in mid-’60s histrionic gal-pop, these unsung heroines appear to have scavenged the remnants of their candy-coated riffs and tear-stained tableaux (bad boys, disapproving dads and car crashes). Of particular interest here are The Kane Triplets’ weird vocal version of “Mission Impossible”, Margie Day’s beautiful “Tell Me In The Sunlight” (composed by a pre-fame Scott Walker) and the magisterial Verdelle Smith’s “Tar And Cement”, previously attempted by Fran

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The Who, New York Dolls, Fugazi, Peggy Seeger, Scritti Politti, Bob Dylan, Marvin Gaye, Serge Gainsbourg, Israel Nash and Valerie June
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