As clinical as plastic surgery in Florida. Gabriel & Dresden are DJs who've remixed Madonna and Britney and had a hit as Motorcycle. Presumably the producers of the already notorious Nip/Tuck required a musical sheen as deceptively pristine and callously effective as its anti-hero sex-addict surgeon, and they've got it. This rush of modern techno-chill drives through The Engine Room, Poloroid and Wax Poetic (featuring Norah Jones) before getting fleshy and flirty with Client, Kinky and then Bebel Gilberto working with Thievery Corporation. What must America think of us Europeans?
Heading up Kansas indie band Butterglory, Matt Suggs ended the '90s in disarray as first the band, then his relationship with its girl drummer, dissolved. Returning home to California, he cut countrified solo debut The Golden Days Before They End in 2000. Returning with Brooklyn's Thee Higher Burning Fire as back-up, its successor is harder, crusted in antsy guitars, though Suggs' slightly distracted vocals give it a homemade quality that pushes Amigo Row into Hayden territory rather than straight-ahead rock.
Big, bright, effervescent Peanuts pop from Brighton sextet
Recorded last December at the end of the 2003 world tour, it's spooky watching Gary Brooker singing "A Whiter Shade Of Pale" so many years after it scored 1967's summer of love. Yet his voice hasn't altered one iota. A third of the 21 tracks come from their 2003 album, The Well's On Fire. But it's old favourites like "Homburg", "Shine On Brightly" and "A Salty Dog" that command all the attention.
