Why four

Friday 15 - Sunday 17 July, 2005.

Teenage Fanclub's guitarist and singer chats to Uncut from his Glasgow home.

Uncut catches up with the writer, director and actor behind Silent Bob and View Askew.

Uncut speaks to Donovan on the 40th anniversary of his first single, 'Catch The Wind', released in March 1965

Christian Bale goes to extremes in smart, heavily stylised psych-horror gem.

Clapton career highlight, inspired by Duane Allman, now on SACD

Bono and the boys reunite with Steve Lillywhite for that difficult 14th album

The man Jerry Garcia appointed as the Dead's official historian - on the inside story behind The Grateful Dead Movie...

Guy Pearce stars as Leonard Shelby as a man with a rare form of short-term memory loss.

Only a perverse spoilsport could claim that Neil Young was not a giant among the North American singer-songwriters who emerged in the '60s. For this reviewer, he dwarfs all of them. Young is greater even than his hero Bob Dylan because he is more Heart than Head, more Body than Brain. There's something intuitive and primitively intense about Young's best music that Dylan rarely matches. More Dionysus than Apollo, Young puts music first, words second. And what music it is.