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Parks Arlo

Uncut’s 100 best debut albums

Uncut presents 100 startling bursts of glory that revealed rock’s major players and revolutionised the world of music… Originally published in Uncut's August 2006...

Morrissey: “It sounds too much like Waitrose. It needs to be more Harrods”

Here's what you might not find in Autobiography… wrestling matches with Vini Reilly! Ouija boards, sauna sessions and extravagant pastries! A secret love of Black Box’s “Ride On Time”!... 25 years on, in this week’s archive feature, from our September 2013 issue, Uncut takes a forensic look at Morrissey’s first acts as a solo artist: Viva Hate, Bona Drag, Kill Uncle, Your Arsenal and Vauxhall And I. The bandmates, songwriters and producers tell all. Story: Rob Hughes _______________ VIVA HATE Released: March 1988 Label: HMV

Uncut’s Top 30 comps, reissues and box sets of 2012

Following on from yesterday's Top 75 new albums of 2012 post, here's our Top 30 compilations, reissues and box sets of 2012, with links to the original reviews where possible. Have a great Christmas and New Year, folks!

Uncut’s Top 75 new albums of 2012

Ladies and gentlemen... please enjoy our Top 75 new albums of 2012, with links to the original reviews where possible. Tomorrow, we'll post the Top 30 best reissues, box sets and compilations.

The Best Of 2012: Halftime Report

Here we go, then: my 40 favourite albums of 2012 thus far. A very personal list, I should say, so please don’t think it constitutes any kind of canonical Uncut pronouncement.

The 11th Uncut Playlist Of 2012

Thanks for all your kind words over the past couple of weeks about the relaunched mag. I know this will undoubtedly read like self-justifying hype on our part, but we have been genuinely thrilled and overwhelmed by how positive the response has been.

Kurt Vile: “Square Shells”

One of my highlights at Club Uncut last year was an epic show by Philadelphia’s Kurt Vile, which spiralled off into some phenomenally unstructured solo reveries, during which Vile seemed to be carving an unusual and comparatively original new space for folkish singer-songwriters.
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