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Maze

In Godard We Trust

"I'm not sure if it's a comedy or a tragedy," shrugs actor Jean-Claude Brialy in Une Femme Est Une Femme, "but it's a masterpiece." Not wrong there. This hyperactive 1961 ground-breaker, even more than the mesmerising Alphaville, is everything that's wonderful about early Godard. Later, he became obsessed with semiotics, deconstructing to the point where only the fanatical could go with him. But here, in the post-Breathless era, high on success and confidence, he's brushing excess flecks of genius off his coat.

Dark Angel

Sixth terrific solo album from hedonistic, nihilistic Seattle survivor

TV Roundup

It all feels as dynamic and mould-breaking as it did 10 years ago. ER has kept itself fresh with regular transfusions of new characters, but it's amazing how good the original cast was (take a bow Noah Wyle, Sherry Stringfield; Anthony Edwards and that Clooney guy). And we forget how radical ER's multiple-stories-on-the-fly technique was, using long, fluent steadicam shots to give shape to a maze of powerful interlocking narratives. Holby City, get stuffed.

L’Afrance

Tough yet intimate study of the immigration maze

Park Psychosis

Three days of mixed magic and Madness in leafy Surrey, from Thea Gilmore, Love, Cosmic Rough Riders, Alice Cooper, Jesse Malin, a befezzed marching band and more...

Rock This Joint

Arguably (though there's no debate among the voices in this listener's head) the best album of 2001, Asleep In The Back must have been a tough (and tender) act to follow. Partly because the Lancashire-based band had around 10 years to write, record and re-record that debut, navigating a route through various music biz mazes. Required to deliver a follow-up with unaccustomed haste after gold discs, rave reviews and sold-out US tours, Elbow initially froze. "It was like rolling a boulder up a hill", Guy Garvey's said. They took a break, reflected, reconvened.

Solitary Refinement

Stunning one-man set as the eclectic troubadour of cool goes back to his folk-blues roots

Big Wednesday—Special Edition

John Milius' deeply personal take on the surf generation of the '60s is everything you'd expect from Hollywood's last great iconoclast. It's a sumptuous visual feast, an epic journey charting the testosterone-packed lives of three surfing buddies (Jan-Michael Vincent, William Katt and Gary Busey) and an unbelievably heavy-handed extended metaphor, as the ebb and flow of the tide is mirrored in our heroes' lives.

Prefuse 73 – One Word Extinguisher

Brilliant futurist upgrade of the hip hop aesthetic

The Dandy Warhols – Welcome To The Monkey House

Oregon rockers graduate from grunge to gadgetry
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