This legendary album, the centrepiece of the so-called "Doom Trilogy", has waited nearly 30 years to be issued on CD, such has been its author's reputed disenchantment with it. Over that time, On The Beach has become a sort of Holy Grail to Neil Young CD buyers, its continuing unavailability adding to a notoriety which began with the first round of reviews the album received in summer 1974. Early reaction to On The Beach was almost entirely negative and it was only after a certain amount of hindsight had set in that it was accorded any respect, let alone admiration.
More than three decades on and the Isle Of Wight enjoys a few fleeting flashbacks of brilliance from The Thrills, The Cooper Temple Clause, Iggy Pop and Hell Is For Heroes
Following the attention heaped upon 2002's lovely I'm Coming Home, Norway's most famous ex-postman Thomas Hansen began to wilt, preferring to "hide behind the beer". Straightened out and under the wing of producer Mark Nevers (Lambchop), Hey Harmony is the product of a frantic's week recording in Nashville, spotlighting the 26-year-old's Anglophilia and US country-folk leanings. Sort of Neil Young and Donovan tripping at The Wicker Man's solstice fest.
Riffing on early David Mamet or Neil LaBute, writer-director Patrick Stettner's superb three-hander anatomises the airless, amoral culture of top-rank executives. In a faceless airport hotel, high-flyer Stockard Channing plays sadistic sex-and-power games with young business rival Julia Stiles and corporate headhunter Frederick Weller. Sharp, astringent, and proof that complex ideas and strong performances transcend even minimal budgets.
