Reviews

Twentieth anniversary celebration by universally popular jazz trio

This is cooler than cool. Probably a guilty pleasure, as the movie appears to be a thinly-veiled remake of Flashdance starring Jessica Alba, but it swings like a narcissistic cat. Missy Elliott (who cameos in the film) lures us in with "Hurt Sumthin", and it just gets better from there. Tweet's "Thugman" is delicious, Nate Dogg's "Leave Her Alone" is beat-perfect, and Erick Sermon and Redman's "React" causes you to do just that.

Self-consciously awkward electronica from San Francisco

NYC's queens of kitsch mine classic-rock vault

Posthumous collection heavily skewed in favour of the '80s hits

Director Tim Burton's father-son fable is his best movie yet

Another reworking of the Betty Blue mythology, with the always watchable Valeria Golino as the Sicilian free spirit who is deemed nuts by her husband and run out of town for such sins as spontaneity and unconventionality. Sun-baked scenery and a lurch into magical realism at the end makes it more than the sum of its parts.

Up there with Citizen Kane as a standard bearer for the medium, and still utterly compulsive. FW Murnau's first US movie, dating from 1927, deploys a battery of impressive camera techniques in telling the story of a steadfast family man seduced by Margaret Livingston's femme fatale.

With a new LP imminent, the Minnesota-based folk-country boy reissues albums two and three

The American underground is currently full of unashamedly cosmic bands, like Sunburned Hand Of The Man and Tower Recordings, who mix folk and psychedelia with an unusually fluent understanding of improvised music. Unfortunately, most of their records are difficult to track down, as they're only released in tiny, elaborately packaged quantities. Thanks to Kranky, then, for reissuing Unknown Spin, previously a limited run of 300 CD-Rs. Charalambides are a Texan trio specialising in a kind of desert drone constructed from guitar, wordless female harmonies and spectral pedal-steel.