Part of Columbia's new and improved Superbit series, this immaculate version of Robert Rodriguez's chopsocky western arrives with no extras, no bonus features and a hefty price tag. Instead, with all available disc space used to provide the clearest pixel-free transfer to date, you get an average hyper-violent pop-Leone revenge movie with great depth of field and a sharp crystalline surface.
John Travolta begins his '80s career slide as Bud Davis, a hick who migrates to Houston, falls for the honky-tonk bar scene, marries city girl Sissy (Debra Winger), loses her to recidivist Wes (Scott Glenn), and enters a mechanical bull-riding rodeo. Compelling supporting performances (especially Winger) and authentic bar footage from-director James Bridges (The Paper Chase) compensate for Travolta's squeaky, misjudged central turn.
"Don't watch that—watch THIS!". The Nutty Boys' promos were always integral to their position as one of the greatest English singles bands of the 1980s. What's "Baggy Trousers" without a flying saxophonist? What's "It Must Be Love" without the sight of Suggs and chums risking electrocution in a swimming pool? They're all here, from '79's "The Prince" to '99's Ian Dury-assisted "Drip Fed Fred". Priceless.
Danny Boyle's arty horror flick started brilliantly, ended badly, and was scored by a fast-rising Brit, John Murphy. But the musical highlight is Blue States' "Season Song", which is both chilling and reassuring. Brian Eno's "An Ending (Ascent)" is also ambivalently touching, while Grandaddy are, as ever, incapable of dullness. Not sure why Godspeed You! Black Emperor's efforts for the film don't feature, but Perri Alleyne's "Ave Maria" should cheer up disappointed crazed extremists.
