David Axelrod – Anthology II

Second collection from veteran orchestral fusioneer's recording career

Trending Now

Pete Townshend looks back at The Who in 1967: “I don’t think I was angry”

Smashing guitars, hanging out with Small Faces and keeping Keith Moon onside

Mogwai: Album By Album

Founded in 1995 and initially a trio, Glasgow’s Mogwai made their debut with “Tuner/Lower”, a self-pressed seven-inch in thrall...

Introducing the new issue of Uncut

GETTING YOUR COPY OF THIS MONTH'S UNCUT DELIVERED STRAIGHT TO YOUR DOOR IS EASY AND HASSLE FREE - CLICK...

Introducing the Deluxe Ultimate Music Guide to Bob Marley

In-depths reviews and archive encounters with the reggae legend

The highlight of this latest trawl through Axelrod’s finest work between 1967 and now is Cannonball Adderley’s “Tensity”, which, apart from inventing trip hop, features Adderley’s most impassioned alto solo on record. Elsewhere, we hear subtly uneasy orchestral pieces (“The Sick Rose,” “The Divine Image”), some fine pop-soul from Lou Rawls (“Dead End Street”), a beyond-bizarre silence-filled cover of “Good Day Sunshine” by one Ray Brown, and a couple of ominous pieces conducted by The Man From U.N.C.L.E.’s David McCallum, one of which, “The Edge”, turns out to be the basis for Dr Dre’s “The Next Episode”. Anxious but compelling music.

Advertisement

Latest Issue

The Who, New York Dolls, Fugazi, Peggy Seeger, Scritti Politti, Bob Dylan, Marvin Gaye, Serge Gainsbourg, Israel Nash and Valerie June
Advertisement

Features

Advertisement