Reviews

Frida

Straining to balance bog-standard biopic with anarchic art expression, Julie Taymor's biopic of Frida Kahlo is crammed with exquisite cinematic diversions (dream sequences, hallucinations, animated Kahlo paintings) while simultaneously stultified by the need to plod through Kahlo's life with startling apathy. Wild teen, bus crash, crippled, Diego Rivera, lots of sex, arguments, affair with Trotsky, big show in Mexico, the end.

American Folk Blues Festival 1962-66 Volumes One & Two

For years, it was believed that no footage survived of the pioneering American Folk Blues Festival tours of Europe in the early '60s. Now a vast cache of performances has miraculously turned up by the likes of John Lee Hooker, Sonny Boy Williamson, Muddy Waters and Howlin' Wolf. Magic moments, every one.

Hidden Cameras – Play The CBC Sessions

Mini album of Canadian radio sessions from the gay gospel Belle & Sebastian. Sort of

Haven – All For A Reason

Second album from adopted Manc chest-beaters

Flap Happy

Second compilation gleaned from the cupboards of erstwhile Beta Band man and current member of Fife's oddball Fence Collective

Denise James – It’s Not Enough To Love

Second album from Michigan's French beat chanteuse, ex-Dirt Eaters and Jills

Various Artists

PiL single from 1979 achieves semi-brand status

Blind Ambition

Ultraviolent remake of '60s classic about a samurai legend

The Unforgiven

Neglected by critics, rejected by director John Huston, The Unforgiven is nonetheless an essential companion to Ford's The Searchers. Sourced from Searchers author Alan Le May, it follows (spot the reversal!) a Kyowa girl (Audrey Hepburn) raised by a white family then hunted down by her 'real' Injun relatives. The genocidal ending, complete with half-brother incest, has to be seen to be believed.

Camera Buff

Krzysztof Kieslowski's 1979 satire charts the experiences of a Polish clerk who buys an 8mm camera to record the arrival of his new baby, but becomes increasingly consumed by his hobby. After his employers ask him to make a film to mark their company's 25th anniversary, he's propelled into the position of political film-maker. With Kieslowski's documentary background clearly on display, it's a wry, heartfelt contemplation of the film-maker's burden.
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