Reviews

Man and horse in perfect harmony

The third in Robert Rodriguez's winning series sees the plucky youngsters enter a maniacal video-game world to confront misunderstood supervillain Sylvester Stallone. Plot barely matters, though, as the movie exists only for Rodriguez to indulge in a rampant, sweetly senseless exercise in reviving retro-3D gimmickry. All in all, how Tron should have been.

Novelist Alexander Trocchi's uneasy blend of Beat existentialism and pseudo porn continue to gnaw in this stylish adaptation of his 1954 whodunnit. Ewan McGregor is suitably dour as the sinister drifter while director David Mackenzie proves himself a master of sustained gloom. But it's the sex scenes, progressing from erotic to self-conscious to simply absurd, that continually corrode.

On-the-road documentary trailing Nashville's own Lazarus Man

High voltage debut from Texas rockers

Nineteenth album from a great American storyteller

Sweet '70s jazz-funk revisited

A hellish Brazil prison is consumed by riot and massacre

Sleazecore rocker Rob Zombie pays homage to the golden 1970s heyday of psycho-slasher flicks with his wilfully trashy but memorably nightmarish debut feature, which makes up for a slow start with its final descent into a shock-rocking Hellzone of backwoods mutants, Satanic serial killers, hardcore violence and unimaginable torture. Mixing grainy film stock and period detail, Zombie takes inspiration from Driller Killer, The Texas Chainsaw Massacre, The Evil Dead and other midnight-movie classics.

Hungarian monochrome master Bela Tarr doesn't piss around with frivolities like humour, logic or even much in the way of dialogue. And yet these lean, unstintingly intense films about people walking around a lot, suffering for love (in Damnation) or trying to prevent society from descending into chaos (Werckmeister Harmonies) are transcendent. At the very least, this will make illuminating viewing for fans of Gus Van Sant's last two flicks, Gerry and Elephant, since Tarr's work directly inspired them.