Reviews

Bryan Adams – Room Service

On-the-road tales from Canadian rocker

The Bad And The Bootiful

When Nancy Sinatra performed in Oslo in 2002, Norwegian newspaper VG carried a front-page photo with the headline "Tragic". Yet when she performed this year at Morrissey's Meltdown in London, a wander through the auditorium during the legendary "These Boots Were Made For Walking"elicited scenes reminiscent of a walkabout by Robbie Williams. Style rules over substance, in the capital at least. And it's undoubtedly style rather than content that's on show on this quasi-comeback album, for which she dresses herself in the musical equivalent of the finest threads.

Stina Nordenstam – The World Is Saved

Delicately apocalyptic suite of Scandinavian avant chamber-jazz

The Autumns

Epic FX-driven rock from LA quintet

Oldboy

DIRECTED BY Chanwook Park STARRING Min-sik Choi, Ji-tae Yoo, Hye-jung Gang Opens October 15, Cert 18, 119 mins the second instalment in director Chanwook Park's so-called "Revenge Trilogy" (begun with 2002's Sympathy For Mr Vengeance) would put even Tarantino to shame.

Hoffa

It's scripted by David Mamet, but what raises Danny DeVito's 1992 biopic is Jack Nicholson's role as the irascible union boss/Mob associate who 'went missing' in the '70s. Charting five decades, from bullying rise in the trucking game in the 30s, through troubles with the Kennedys, to Hoffa's presumed assassination, it's an ambitious undertaking, often muddled. Nicholson, though, hidden behind false nose, bulldozes through like Cagney. Neglected, but one of the performances of his career.

The Day After Tomorrow

After the footsore Godzilla, Roland Emmerich gets his eye-catching world-trashing set-pieces on track again as stormy weather lays waste to planet Earth. Dennis Quaid and Jake Gyllenhaal are father and son wishing they'd worn bigger galoshes, and the 'message'is right-on (if inaccurate), but it's all about the gosh-wow effects.

To Live And Die In La

Ridiculously entertaining car chase and all, William Friedkin's brutal, dumb 1985 crime flick resembles his French Connection resprayed for the West Coast. The movie benefits from LA shimmer and deployment of under-used actors: Willem Dafoe plays a ruthless, faintly perverse counterfeiter and William Petersen is the lawman in tight jeans crossing the line in pursuit of him. Listen for the Wang Chung soundtrack! Maybe not.

X – The Best: Make The Music Go Bang!

Mighty compilation of LA country-punk pioneers

Both Sides Wow

Songwriting legend breaks her 'retirement' with hand-picked best-of
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