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“We were like a little family”: an interview with Doug Yule and Moe Tucker about The Velvet Underground

I reviewed The Velvet Underground: 45th Anniversary Super Deluxe Edition for new issue of Uncut. It's a comprehensive, six-disc set compiling the band's third album in an assortment of mixes, plus 1969 demos and a live recording from The Matrix in San Francisco. Of course, it marks the first album the band recorded after John Cale had left, with Doug Yule assuming bass and (some) vocal duties. I was fortunate enough to speak to both Yule and Mo Tucker for a Q&A to accompany my review.

Reviewed: Sun Kil Moon live at St John’s, Hackney, London, December 3, 2014

Tuesday night, I went to see the War On Drugs guy again. I mention this, in relation to Mark Kozelek and Sun Kil Moon's Hackney show, because Kozelek doesn't stop mentioning it himself for much of the two and a half hour show; a show which, by the by, is one of the very best and certainly most surprising I've ever seen him play.

The 154 Best Albums Of 2014 (A very personal list…)

Hey, here are my 154 favourite albums of 2014. As usual, I haven't aimed for a fixed number; just listed everything, in a loose order, that I've enjoyed these past 12 months.

The 44th Uncut Playlist Of 2014

To Cargo, earlier this week, for what I think might have been one of my favourite gigs of the year. I wrote about Xylouris White and their "Goats" album a few weeks ago, but even that excellent record was scant preparation for Jim White and George Xylouris' incandescent live show.

The 43rd Uncut Playlist Of 2014

Very taken with Africa Express' version of "In C", by Terry Riley, this week. I have a few takes on the piece (50 years old this month, incidentally), the latest being one by Portishead's Adrian Utley from a couple of years back, though I still probably default to what I think is the original recording from '68.

An interview with Ride: “We wanted to make a hell of a racket”

Following this morning's momentous news of Ride's return to active service, I thought I'd dig out this piece I wrote for Uncut in 2011.
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