The Beatles, the Maharishi and The Lord Of The Rings

The Fab Frodo and friends...

Trending Now

Ways to keep reading Uncut during lockdown

Even if you can't leave the house, there's no need to miss an issue

Bob Marley: “He sent messages to the world”

A legend in exile: Uncut explores Marley's momentous year in London

Watch Itasca’s exclusive Uncut session

Filmed outside her home near Joshua Tree, California

Kraftwerk – The Ultimate Music Guide

Celebrating 50 years of Kraftwerk and the life of their late co-founder Florian Schneider, this 124 page premium publication...

The news, earlier this week, that Peter Jackson was to direct a new documentary from Let It Be footage brings full circle one of the weirder footnotes in The Beatles’ career. In 1968, while The Beatles visited Rishikesh in northern India, Denis O’Dell – the head of Apple Films – was in the process of renegotiate The Beatles’ film contracts. Among the ideas discussed for a new Fabs’ film was… Tolkein’s epic. Here’s O’Dell, from an interview I conducted with him a couple of years ago to tell all…

Follow me on Twitter @MichaelBonner

“They were out in India. I declined to go. I got a telegram one day. Paul again. ‘Denis, come out right away.’ So I went out there. Before, while they were there, I’d had meetings in New York with David Picker, who was head of UA at the time. I was going there to renegotiate The Beatles contracts in the event they did a film. That was great but the weakness was, they didn’t have a film. Everything you suggested, you couldn’t get agreement. I was going up in the elevator to David’s office and I thought, ‘Christ. The Tolkein. Four little people, with Donovan as well.’ I said to David Picker, ‘Can I get ten minutes to make a few phone calls.’ I rang a good friend of mine, a lawyer, Jack Schwartzman, in Los Angeles. I said, ‘Jack, can you buy the rights to the Tolkein for Apple?’ Silence. I said, ‘What’s up?’

Advertisement

He said, ‘They’ve already been sold, Denis. I did the legal work. I can’t tell you who I sold them to.’ They must have arranged by a financier so I said, ‘Was it Fox? Was it this, that?’ We got back to UA. I’m sitting in their office. I said to David, I’ve got to put up their salaries. They want $1m each.’ They’d only been paid about £50,000 for A Hard Day’s Night. He looked at me as if I was mad. I said, ‘You did it for Elizabeth Taylor and Richard Burton. They’re just as big.’ He said, ‘Well, what’s the film?’ I said, ‘The Tolkein.’ He said, ‘We own that!’ So I said, ‘If we do this, I can guarantee John Lennon and Paul McCartney will write the music to cover the cost of the film.’ He came back and said, ‘You’re the only producer in England I’d give this to. I’ll give you the rights for a year providing you can get a star director.’ I called David Lean, he didn’t want to do it. I called Stanley Kubrick, he said it was ‘unfilmable’. I’d taken the three books to India with me. Donovan was there. He said, ‘Christ, that’s a great idea. I’ve read them.‘ Anyway, Donovan influenced The Beatles to read them – they never read anything. They all agreed it’d be wonderful, but like anything else, after a little while, they lost interest.

The March 2019 issue of Uncut is now on sale in the UK – with Leonard Cohen on the cover. Inside, you’ll find David Bowie, Bob Marley, The Yardbirds, Lambchop, Jessica Pratt, Crass, Neu!, Sean Ono Lennon and much more. Our 15-track CD also showcases the best of the month’s new music, including Cass McCombs, Sleaford Mods, Julia Jacklin and Royal Trux.

Advertisement
Advertisement

Latest Issue

Bob Marley, Marc Bolan, John Prine, Courtney Marie Andrews, Joy Division, Joan As Police Woman, Irmin Schmidt, Paul Weller and Captain Beefheart
Advertisement

Features

Advertisement