DVD, Blu-ray and TV

Three intense '60s masterpieces from Polanski in one box set, plus his Oscar-garlanded WWII ghetto drama from 2002

Comic book adaptation with Woo favourite Chow Yun-Fat as a kind of near-immortal arse-kicking Dalai Lama who's spent the last 60 years battling baddies for possession of the Scroll of the Ultimate. And now it's time to pass the baton to a younger chap. You could see it as a martial arts Raiders Of The Lost Ark, or a Crouching Tiger for nitwits. Or you could not see it at all. The choice is yours.

Rumour has it that the CIA funded Halas and Batchelor's 1954 cartoon adaptation of George Orwell's political barnyard allegory. But even though it's dated and stilted, it remains not only darkly savage anti-Stalinist satire but also a quite stunning piece of animation. Surely long overdue for a Babe-style remake?

Two cops are shot at; the survivor (John Savage) is ostracised by his colleagues for alleged cowardice, which takes him years to live down. Joseph Wambaugh's novel was faithfully treated by Harold Becker in this 1979 curate's egg, but brilliant as Savage is, it's an up-and-coming, intense actor named James Woods who lights the bonfire.

Patrice Leconte (Ridicule) brings a sombre poetic realism to this elegiac meditation on the nature of fate and the road less travelled. Johnny Hallyday, battered and craggy with gravitas, is awesomely iconic as the taciturn gangster who encounters Jean Rochefort's inquisitive retired schoolteacher. The two men are inexorably attracted, seeing in the other the tragedy of the life they never lived.

Barbet Schroeder's outré 1976 tale of feral love between petty criminal Olivier (Gérard Depardieu) and high-class Parisian dominatrix Ariane (Bulle Ogier), complete with scrotum piercing and golden showers, was originally denied a BBFC certificate. In retrospect, the analogy between S&M and romantic power games is overplayed, but Schroeder's willingness to draw sex and death so close together is compelling.

Brendan Fraser is an American aid worker in Vietnam who just might be masterminding a US-backed anticommunist coup while seducing Phuong (Do Thi Hai Yen), the classically demure oriental lover of cynical British hack Thomas Fowler (Michael Caine). An intriguing, morally muddy adaptation of Graham Greene via director Philip Noyce.

Mining that fecund Field Of Dreams territory, where baseball and unresolved Oedipal complexes collide, The Rookie is a rousing real-life account of loyal Texan husband, science teacher and occasional 98mph pitcher Jim Morris (Dennis Quaid), whose small-town existence and lifelong battles with cantankerous pop (Brian Cox) are suddenly transformed by the offer of a place in the Major League.

The nominal director is Lee H Katzin, but this was entirely Steve McQueen's project. Starring and driving, his 1971 film about the famous 24-hour race was his obsession, and he was in a strange place when he made it, his paranoid quest for perfection reflected in the extraordinary cinematography of motors in motion. Barely any plot, it's all wheels, speed and engine noise. Less a movie than a machine.

Johnny Knoxville and his cohorts torture, humiliate and occasionally shave themselves and others in this big-screen outing for the cult TV show. Much of their wanton destruction and reckless self-endangerment you can take or leave, but the bowling ball in the bollocks induces a major wince, as does the bungee wedgie and the between-toe paper-cutting.