DVD, Blu-ray and TV

Classic 'revisionist' western from '71, Peter Fonda's directorial debut is bookended by two acts of fumbling, clumsy yet brutally violent gunplay, but is otherwise concerned with the delicately evolving relationships between two wandering cowboys (Fonda and Warren Oates) and Fonda's once abandoned wife (Verna Bloom). The photography from Vilmos Zsigmond (McCabe & Mrs Miller) is worth the price of the DVD in itself.

Henry Hathaway's Nevada Smith takes one of the characters from Harold Robbins' Hollywood potboiler The Carpetbaggers (filmed by Edward Dmytryk two years earlier, with Alan Ladd in the role) and wraps an entire movie round him. Steve McQueen stars as the young Smith, a half-breed cowboy hellbent on tracking down his parents' killers. Beautifully shot by Lucien Ballard, McQueen is as quietly hypnotic as ever.

Now 77, Jimmy Martin has been a bluegrass legend since he became lead singer and guitarist in Bill Monroe's band in 1949 and helped pioneer that "High Lonesome Sound" (see This Month In Americana, p98). His story is told through archive and contemporary footage, and Martin proves to be a highly engaging raconteur, although you might wish for a little more music and fewer talking heads.

Walter Hill's terrific 1978 thriller about a cop's obsessive pursuit of a seemingly uncatchable criminal clearly anticipates Michael Mann's Heat, for which it may have provided an unacknowledged template. It's a much leaner picture than Mann's portentous epic, however, but just as stylish and a lot more exciting, with a series of stunningly orchestrated car chases, a satisfyingly complicated plot and a couple of instances of eye-popping violence.

In Clint Eastwood's self-consciously stately film of Dennis Lehane's cracking thriller, Sean Penn, Tim Robbins and Kevin Bacon are former childhood friends, estranged by trauma, thrown into adult conflict by tragedy following the murder of Penn's teenage daughter. The novel is raw, seething, but Eastwood's stern, sober direction makes the film a bit of a slog, worthy but oddly unengaging, stripped of tension and the true sense of place Lehane brought to the book.

One of the most gratifying indie dark horses of last year, with writer/director Dylan Kidd giving Campbell Scott the role of a lifetime. As ageing Lothario Roger, getting bitter as he realises his sleazy charms are fading, Scott is dynamic, demanding no sympathy as he educates and corrupts his eager-to-learn-the-ropes nephew. Jennifer Beals and Elizabeth Berkley turn their noses up. Honest to a fault.

No matter how much his music is over-used on crap TV travel shows, there's no denying that DJ Shadow is hip hop's premier auteur. His trademark (pyro)technics signature is all over this live performance from Brixton Academy, June 2002. Performance in this context means a silhouetted, hooded man mixing up a subtle sonic brew in front of some spiffy visuals for 50 minutes, but the crowd lap it up.

Vincente Minnelli's heart-breaking, life-affirming 1944 musical. It's 1903, and as the World's Fair unfolds in their rosy little town, young Judy Garland's family face moving to the Big Apple. One of the great musicals; and as a movie about childhood, it's up there with The Night Of The Hunter and, as a lament for changing times, ranks alongside The Magnificent Ambersons and... The Wild Bunch. Kind of.

A stimulating and intriguing set of classic shorts from the directing Premier League. Early work from Godard, Von Trier, Moodysson, Kieslowski, Moretti and Leconte sits with maverick inspiration alongside Brits like Peter Mullan and one Chris Morris (the BAFTA-winning "My Wrongs"). Three hours plus in total, but each nugget boasts such energy that it flies by. Small is beautiful.

This 1976 adaptation of Jack Higgins' best-selling WWII novel was a fitting late-'70s swan song for John Sturges. Michael Caine leads a band of principled, Nazi-hating German commandos off to invade Blighty on the sly. Robert Duvall, Donald Sutherland, Jenny Agutter and Donald Pleasance join the action.