DVD, Blu-ray and TV

Time-travellers Michael J Fox and Christopher Lloyd shunt between the 1950s, the future and the old Wild West in a customised DeLorean sports car, trailing paradoxes in their wake as they attempt not to interfere with history. Zemeckis and Gale's lovingly crafted trilogy remains enormously enjoyable, and curiously now makes one feel nostalgic for the '80s.

Much-imitated life-swapping comedy from '83, back when John Landis was a hot name. Street chancer Eddie Murphy and stockbroker Dan Aykroyd switch places after a nature-versus-nurture debate, with Jamie Lee Curtis as Aykroyd's love interest. Doesn't aim to be anything other than broadly funny, and so largely succeeds, though it hasn't aged too cleverly.

The two albums of Woody Guthrie songs recorded by Billy Bragg and Wilco and released as Mermaid Avenue (Volumes One and Two) are already alt. country classics. Kim Hopkins' documentary film follows Bragg around America in search of Woody. Archive footage of the great man is interwoven with Bragg performing some 20 songs, alongside guests including Natalie Merchant. Films about making albums seldom do the music justice. Man In The Sand breaks the pattern. DVD EXTRAS: Bonus audio tracks, discography.

Tim Burton's splendid tribute to hapless director Wood, whose incompetence has become part of movie legend. Johnny Depp as Wood looks entirely fetching in a variety of angora sweaters, and there's terrific support from Martin Landau as Bela Lugosi, Bill Murray and Sarah Jessica Parker.

Unconventional, witty rom-com chooses its inspirations carefully in Woody Allen and Seinfeld. Jessica's a New York singleton who can't find Mr Right, and so decides to give Ms Right a fling. But she doesn't quite know how to go about this trendy Sapphic stuff, and whenever the film veers on cheese it snaps back sharply. Surprisingly wry.

Playing while standing on a runway with planes roaring overhead in "Beautiful Day", introducing the Flys V Lemons Championships in "Stuck In A Moment...", and playing with cartoons and Batman footage in "Hold Me, Thrill Me, Kiss Me, Kill Me", U2 are as entertaining as they are enormous and serious. More intriguing, though, are the visits paid behind the scenes as U2 play Sarajevo, bribe Larry with a mermaid and film three videos for "One".

Part of Columbia's new and improved Superbit series, this immaculate version of Robert Rodriguez's chopsocky western arrives with no extras, no bonus features and a hefty price tag. Instead, with all available disc space used to provide the clearest pixel-free transfer to date, you get an average hyper-violent pop-Leone revenge movie with great depth of field and a sharp crystalline surface.

John Travolta begins his '80s career slide as Bud Davis, a hick who migrates to Houston, falls for the honky-tonk bar scene, marries city girl Sissy (Debra Winger), loses her to recidivist Wes (Scott Glenn), and enters a mechanical bull-riding rodeo. Compelling supporting performances (especially Winger) and authentic bar footage from-director James Bridges (The Paper Chase) compensate for Travolta's squeaky, misjudged central turn.

"Don't watch that—watch THIS!". The Nutty Boys' promos were always integral to their position as one of the greatest English singles bands of the 1980s. What's "Baggy Trousers" without a flying saxophonist? What's "It Must Be Love" without the sight of Suggs and chums risking electrocution in a swimming pool? They're all here, from '79's "The Prince" to '99's Ian Dury-assisted "Drip Fed Fred". Priceless.

Josh Hartnett again displays his unerring knack for atrocious career choices in this low-brow, lacklustre sex comedy from the sadly-declined Heathers director. Falling for a cutie he meets at the laundromat, horny Josh swears off copulation. On hearing this, countless honeys throw themselves at him, naturally. Comedy and sex don't gel: here's proof.