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Album

Jaheim – Still Ghetto

Successor to 2000's Ghetto Love debut by 23-year-old soul great in waiting. Mary J Blige guests

Jim And Jennie And The Pinetops – One More In The Cabin

Both Jim Krewson and Jennie Benford were raised in tradition-steeped communities (in Pennsylvania and Vermont respectively), rebelling into punk before reconnecting with roots years later. Their third album smudges the boundaries of bluegrass and old-time (fixin' a party between Scruggs-style, three-finger banjo and orthodox clawhammer) to strike a picture of high'n' lonesome authenticity. Aided by the Pinetops' propulsively rhythmic playing, the marriage of Benford's clear mountain preen and Krewson's hickory yelp is life-enhancing.

Pavement – Wowee Zowee

Reissue of US indie icons' undervalued third album

Smokey Robinson And The Miracles – 000 Baby Baby: The Anthology

Definitive 52-track compilation spanning 1958-1972

Would-Be-Goods – Marden Hill

Marden Hill CADAQUEZ Rating Star Various Artists THE COOL MIKADO Rating Star ALL ÉL In the '80s, Mike Alway's él records were a beacon of intelligent perversity, elegantly absurd and non-commercial.

Great Western

Fourth LP from purveyors of Hispanic-Americana

Dan Bern

Two EPs from modern-day Bob Dylan

Geist – Songs For Your Neighbour

Subtle, simmering 'new acoustic' debutThese gentle, vaguely retro acoustic stylings from British songwriting duo Hudson and McDevitt exude real charm, evoking melancholy memories, tempered optimism and warm pints in cold country pubs. Reference points include a less tortured Turin Brakes or less populist David Gray, though ticking clocks, babies' cries and the mesmerising "For You" will have you digging out your crusty copy of Floyd's Wish You Were Here. Bursts of energetic violin from Chris Goddard give it an extra edge. Pastoral peaks.

Devendra Banhart – Oh Me Oh My

Excellent, if creepy, lo-fi folk

Shearwater – Everybody Makes Mistakes

Hailing from the same US stable as The Mendoza Line, the Austin, Texas quartet Shearwater embrace a drowsier strain of melancholy on their second LP—all shuffling shades of piano, picked guitar and stings. Producer Brian (Daniel Johnston) Beattie filters just enough light to ward off any impending claustrophobia, while the contrast between ardent ornithology student Jonathan Meiburg's falsetto and Okkervil River moonlighter Will Robinson Sheff's upbeat crackle adds a subtle duality.
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