Features

One of the things I wrote about in the new issue of Uncut is a review of the latest vinyl reissues from what was the BBC Radiophonic Workshop. For a panel to accompany the review, I had the good fortune to speak to composer Paddy Kingsland, one of the legendary studio boffins currently touring in the live iteration of the Workshop.

New documentary Pulp (A Film About Life, Death & Supermarkets) hits UK cinemas on June 7 – in anticipation, we delve back to August 2010’s Uncut (Take 159) to discover the origins of Jarvis Cocker and co’s greatest hit. From three chords on a cheap Casio keyboard, via a headline slot at Glastonbury, to the huge summer anthem of 1995… Interview: Nick Hasted

Emotional times, as this is Allan’s last day as editor of Uncut. Before we get down to that, though, here are the records we’ve been playing in the office this week.

Revisiting some great YouTube footage of Bob in action...

Like everything else, Noel Gallagher had an opinion about debut albums. “Definitely Maybe was the young, eager, wanting to get out there and fucking blow the world away album,” he told Uncut in 2000. As Gallagher claimed on many occasions, he’d been strategising a debut album, in whatever form, since his teenage years. With such apparent forethought, it’s no wonder that when Definitely Maybe appeared in August, 1994 it redrew the parameters of indie rock, filling a void left by The Stone Roses and gave Alan McGee’s Creation Records a world-class act.

A new office this week, although a good few crates remain. These, though, are the tunes that’ve sensitively assisted our transition. Special props to Bob Carpenter’s rediscovered album from ’74, very much kin to “No Other”; to the Mauritanian desert rock of Noura Mint Seymali; to the reissue of an old Imaginary Softwoods ambient set from John Elliott, ex of Emeralds; and to the enduring usefulness of Pye Corner Audio and Girma Yifrashewa.

In tribute to Glenn Frey, who died on January 18, 2016, we look back on the legend of Desperado...

The Flaming Lips play London's Brixton Academy on May 28, ahead of their full cover of The Beatles' Sgt Pepper's Lonely Hearts Club Band on October 28 – but back in September 2010's Uncut (Take 160), frontman Wayne Coyne revealed the strange listening experiences that have shaped his life… Neil on acid! The Beatles through one speaker! And Amy MacDonald… Interview: John Lewis ______________________ The first record I ever bought Jimi Hendrix – Crash Landing (1975)

Upside Down Mountain, Conor Oberst’s new, Jonathan Wilson-produced solo album is set for release on Monday (May 19), so it seemed time to dig out this look through the Bright Eyes singer-songwriter’s record collection from Uncut’s June 2007 issue (Take 121). Featuring sex, drugs, Pavement and Nas… Interview: Jaan Uhelszki

What the director of Easy Rider did next