Warhorse

On the beech: 50th-anniversary frenzy for psychedelic folk voyagers

A debut of remarkable vision and maturity, now with unreleased, non-album demos

Rip-roaring second album by Mary Timony’s power trio

The live motherlode from San Francisco, 1969

Warhorse: Songs and Stories – Hüsker Dü veteran makes peace with the past...

Six-disc set from the 'identity crisis' years - three albums, outtakes, lives and a session with Freddie King...

Less is infinitely more for the man who invented indie...

This sounds familiar. It’s a blast of Aaron Copeland’s “Hoedown”, a loud orchestral stirring the faithful many here tonight recognise immediately as the taped introduction to his shows he’s been using now for at least the last 10 years that still never fails to thrill and make you also laugh out loud. The voice of his long-time tour manager, Al Santos, follows, mock-serious.

From the archives: Clarence White shines on live set, Q & A with Roger McGuinn

To paraphrase Dolly Parton, it must take a lot of care to look as chaotic as this. I’m referring not to Neil Young himself, not exactly, but to the astonishingly cluttered stage around him, dressed to look like – well, backstage, really, behind the scenes at some lost old-time opry.