Grateful dead

When on July 28, 1973, The Band played the Summer Jam festival at Watkins Glen, New York, on a bill that also included The Grateful Dead and The Allman Brothers, Garth Hudson, if he’d been so inclined, could have looked out from the stage onto a crowed of more than 600,000 – at the time, I think, the largest-ever audience for a rock show.

I worry, occasionally, that this blog has started to give the impression we spend our days at Uncut listening to nothing but serious, respectable artists with a good decade or two of critical acclaim under their belts. Of course, we do listen to Cave, and Bowie, and Neil Young, and Cat Power, and a hell of a lot of Grateful Dead at the moment. You might not believe this, but Allan even digs out a dusty Dylan CD from time to time.

Looking back over the past month and a bit, I think the two records I've played most in the Uncut office have been a new Grateful Dead live set from 1976, and the forthcoming second album from New York's LCD Soundsystem. Not sure what this says about my taste or my state of mind.

The man Jerry Garcia appointed as the Dead's official historian - on the inside story behind The Grateful Dead Movie...

Written as a student project with future Alien writer Dan O'Bannon, John Carpenter's ingenious no-budget directorial debut, named after a Grateful Dead song was the first stoner sci-fi pic. On a scuzzy spaceship far away, four furry freak surf dude astronauts are bored out of their skulls on a long-haul mission to destroy unstable planets, and plagued by troubles when their talking bomb gets ideas of its own and the alien "pet" O'Bannon has smuggled aboard escapes. Sideswipes at Kubrick's 2001 are entirely intentional; the attack of the munchies the movie brings on pure coincidence.

This is the perfect album for your inner schizo Francophile hippie. Factually based in the late '60s, but so wilfully mixed up it's very postmodern-ly now, one of its personalities is fuzzily made up of Hendrix, The Doors and the Grateful Dead (plus actor Michael Pitt murdering "Hey Joe" with his band). The other's stylishly into nouvelle vague, with blissful borrowed excerpts from the scores to The 400 Blows, Breathless and Pierrot Le Fou, and warblings from Françoise Hardy and Edith Piaf.

When Moby sampled Vera Ward Hall's "Trouble So Hard", he was merely the latest in a long line of musicians to use as a source the field recordings made in the Deep South between 1933 and 1959 by the folklorist Alan Lomax. The Popular Songbook collects together 22 such tracks and, perhaps to your surprise, you'll find you know almost every one of them—if not in these original versions then in covers by artists as diverse as Clapton, Miles Davis, Steve Miller, Dylan, Led Zep and The Grateful Dead. File alongside the Harry Smith's Anthology Of American Folk Music.

They headlined the first "Human Be-In" at Golden Gate Park, played Monterey and fired rifles at The Grateful Dead

Plus Queens Of The Stone Age, Natalie Bergman, Peggy Seeger, Matt Berninger, Springsteen and more!

Stars Nick, Drake, The Who, Black Sabbath, Matt Berninger, Pulp, Brian Eno and more