Showing results for:

Circle one

An interview with T Bone Burnett: “This music is the music that grew up out of the ground…”

I interviewed T Bone Burnett as part of a piece on Inside Llewyn Davis, the new Coen Brothers film, which ran in the issue of Uncut on sale in December. What was originally meant to be a brisk 10 minute chat about working with the Coens and the film's soundtrack evolved into a much longer conversation, the bulk of which, inevitably, I couldn't work into the feature. So I thought I'd post it here for anyone interested in reading T Bone's thoughts on the evolution of folk music, the music he was listening to when he was growing up, and of course his experiences working with the Coens. Other topics under discussion included the American Civil War, George Clooney and Bob Dylan...

The Rolling Stones, London 02, November 29, 2012

After all the hoo-ha, huff, hysteria and hot air, here, finally, are The Rolling Stones doing what they do even better than raising the collective temperature with impertinent ticket prices, something they seem to have been doing at least since their 1969 American tour, nothing new in the Stones being accused of commercial banditry and the cynical exploitation of their fans, on whose behalf so many complaints have been indignantly voiced since the 50 And Counting dates in London and New York were announced. Why don’t they celebrate their half-centenary with, say, a free concert, the cry went up in some quarters, and let more people have a chance to see them, and for nothing too? Well, when they tried that in 1969, look where it got them: Altamont.

The Jon Spencer Blues Explosion unveil trailer for new album ‘Meat And Bone’

The Cure’s Robert Smith: ‘We’re coming full circle by headlining Reading and Leeds’

The Cure's Robert Smith has said the band feel as if they are coming "full circle" by headlining this year's Reading and Leeds Festival, despite having no new album to promote.

Mudhoney: “Superfuzz Bigmuff: Deluxe Edition”

Among other, healthier spring activities, I spent a fair part of the Bank Holiday weekend introducing my three-year-old to The Beach Boys and Lightning Bolt and listening to “Superfuzz Bigmuff” – not on any particular grunge nostalgia binge, but because it has just been subjected to the extensive, deluxe, collector’s edition reissue treatment.
Advertisement

Editor's Picks

Advertisement