The Tin Drum

Volker Schlöndorff's hallucinatory adaptation of Günter Grass' novel is a slow build. Like Apocalypse Now, with whom it shared the 1979 Palme D'Or at Cannes, it's an allegorical war movie with a trippy central conceit—three-year-old Oskar (David Bennent), disgusted by petty-bourgeois post-war Poland, refuses to mature into adulthood and instead opts for a surreal journey into the dark heart of Nazism. While his Danzig neighbourhood is consumed by Hitler frenzy, Oskar is subjected to Nazi dwarves, decapitated donkeys and suicide by raw eel overdose.

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The Grateful Dead revisit the year that changed everything: “We were just coming alive”

1971 was a momentous year for the band – involving landmark shows, bizarre ESP experiments, French Acid Tests, new faces and emotional farewells. Bob Weir, Bill Kreutzmann and other eyewitnesses share tales from this journey