Mull Historical Society – This Is Hope

Diminishing returns from Scottish multi-instrumentalist

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Richard Thompson on the flowering of Fairport Convention

"There was a musical explosion – you could play almost anything and be accepted"

My Bloody Valentine: “We were like the Partridge Family on acid”

With the news that My Bloody Valentine have released their catalogue across streaming services for the first time, it...

Alan Horne on the resurrection of Postcard Records

"There’s no conceivable excuse to be whoring yourself off to any crooked corporate malarkey"

Introducing the Deluxe Ultimate Music Guide to Neil Young

Updated with a deep dive into Archives II and more

Colin Maclntyre is undoubtedly prolific, but he rarely ventures beyond a surging and sugary hybrid of The Beach Boys, Supertramp and ELO. Initially, MHS’s third album seems to attempt new ground. Opener “Peculiar”unfolds as wiry, sparse new wave, while the gloomy piano of “This Is The Hebrides”is compellingly melancholic. But by the David Kelly meditation of “Death Of A Scientist”, we’re whizzing back to ’70s AM radio pop. Few of the colourful oddities that filled his debut remain, but there’s still much melodic guile to admire?albeit increasingly difficult to love.


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The Velvet Underground, The Black Crowes, Bunny Wailer, Richard Thompson, Nick Cave, Rhiannon Giddens, Laurie Anderson, Blake Mills, Postcard Records, Mogwai and The Selecter