DVD, Blu-ray and TV

Compilation of live concert footage, TV clips and Marky Ramone's on-the-road video footage from 1979-2002 misses the Ramones' prime. Marky's films are mundane trivia with little character insight. MTV news clips tell the story of Dee Dee's drug addiction and departure only in passing, but alongside their tearful Rock'n'Roll Hall Of Fame induction, the impressive live footage shows why they outlasted their peers.

Every film buff knows Elia Kazan's On The Waterfront and East Of Eden, but his two greatest films are terribly overlooked. In the case of America, America (1963), it's probably because he didn't cast a star. In the case of Wild River (1960), it's almost inexplicable. Montgomery Clift is a government official trying to persuade an old woman she must leave her home before it's flooded. Complex, tender, rich and true, this is a masterpiece, lost and found.

Crispin Glover scintillates in otherwise unremarkable horror remake

Stats show that Middle America's "mass moral outrage" at Janet's Superbowl boob-bearing came from a noisy couple of hundred. Her career may survive, then, though no thanks to this year's scrappy LP Damita Jo. This gathers all the videos from the last four, the best of which is "That's The Way Love Goes", where she maximises her feline moves, timid voice, and gorgeous loping grooves. But she's definitely in decline.

Robert Altman's wry comedy tackles the origins of modern showbiz and media manipulation in Buffalo Bill's Wild West show. Paul Newman plays the legendary 'star' as a bundle of neuroses who more than meets his match when the show is joined by Sitting Bull (Frank Kaquitts)—a man of principles, unimpressed by the razzamatazz. An enjoyable indictment of Hollywood.

The ingredients are there: Nicolas Winding Refn (Pusher) directs John Turturro and James Remar in a (minimal) script by the late Hubert Selby Jr, with Eno scoring. Yet somehow this just doesn't gel as it wades through its slow pretensions. Turturro's a recently widowed security guard, obsessive over photos and CCTV as he seeks his wife's killer. Intelligent, but rather drab.

Wong Kar-Wai's quirky, impressionistic Hong Kong masterpiece reissued

This frustrating compilation trawls the archives from the early '40s to the late '80s to assemble 20 of the divine Miss Lee's greatest film and TV performances. While some clips are understandably washed-out, Lee's wide-ranging voice is black-coffee-and-honey throughout. What lets the set down is the decision to cut gushing tributes from celebrity fans into the performances. That aside, fine stuff.

The issue of Basque separatism simmers unresolved in Spain, where Julio Medem's documentary has aroused controversy for its alleged one-sidedness. The director's technique is unsubtle. He's rounded up countless talking heads, sat them in chairs in front of attractive Basque scenery, and got them to talk to camera about the complicated political, historical and social issues involved. The result is somewhat tedious and confusing.

A landmark in the development of the doomed anti-hero, Julien Duvivier's timeless 1936 proto-noir made an icon of Jean Gabin, playing Pépé, the legendary French gangster exiled to the baroque, shadow-strewn purgatory of the Algerian casbah. Falling for a female tourist, he decides the time's come to break for home, but the cops are waiting. Still surprising, tough and casual, it sashays the line between cynicism and romance like few others.