DVD, Blu-ray and TV

In an ideal world, Blondie would have existed only on video. The golden Deborah, adored by the camera, would now live forever as a shimmering punk siren, blessed with a voice of both honey and crystalline clarity. Harry fronts Blondie at their 1983 farewell concert in Toronto uncomfortably, inelegantly, and sings without any of the vitality of the sassy little Kittens whose success has prompted this release.

Clint Eastwood's classic final word on the western genre

The rap trio who defined cool in the '90s for want-not-to-be-middle-class white boys have probably released this two-disc video compilation just in time, before they become horribly passé. Fair play to them, though, these are 18 of the best pop promos ever filmed, from Spike Jonze's cop show pastiche for "Sabotage" through to the robot-battling epic "Intergalactic" and the '60s action spoof for "Body Movin'" (featuring a great chicken-in-the-face scene). Camp as hell. Are we sure they're not gay?

A stand-out hit among the current new wave of globally fê ted Latin American features, Fabián Bielinsky's fine caper thriller fucks with audience perception like a pumped-up David Mamet puzzler. A motley team of conmen and crooked cops progress from petty shop swindles to plan a rare stamp heist, but as the stakes escalate and the cast of characters broadens, nagging questions about who's hoodwinking who throw up dazzling wheels within wheels.

Another dusting-off for the Plastic Ono Band, playing for peace and headlining over Bo Diddley, Jerry Lee, Chuck Berry and Little Richard. Yoko climbs out of a bag to shriek along with the atmospheric desperation of "Yer Blues" and "Cold Turkey", and provides the highlight, during "John, John (Let's Hope For Peace)", by throwing Eric Clapton into such confusion he doesn't know what to play.

Brazenly preposterous Manhattan thriller follows clinical psychologist Michael Douglas as he tries desperately to extract the location of a stolen jewel from the mind of trauma patient Brittany Murphy to satisfy the demands of crazed kidnapper Sean Bean. Eminently ludicrous stuff, but wonderfully anchored by Douglas' trademark beleaguered male schtick.

The history of Clement "Coxsone" Dodd's legendary Jamaican studio is told through interviews, copious amounts of music and historical footage. There are also plenty of interesting diversions, such as a chapter on how vinyl records are made in a Kingston pressing plant. Early performances by the likes of The Skatalites and Ernest Ranglin are the icing on the irie cake. DVD EXTRAS: Additional interviews with many of the artists featured, plus 16-track CD and 90-page booklet.

Lovingly restored version of Fritz Lang's silent sci-fi classic with another 20 minutes' worth of footage, plus the original music score, so even if you know the movie well you're in for treats and surprises. If you don't, you'll discover incredible visuals, the sexiest robot ever made and a core message—capitalism without compassion sucks—that's as fresh now as in 1926.

Multiple Oscar-winner (beating out Scorsese's Raging Bull) from 1980, directed calmly (and, for some, soporifically) by Robert Redford. It's a sombre, actorly affair in which wealthy Donald Sutherland and Mary Tyler Moore grieve for their son's death; his brother Timothy Hutton blames and shames. An early, earnest look at the dysfunctional family: American Beauty without the laughs.

Reissued as part of the Superbit series, Barry Sonnenfeld's witty and energetic spoof fields a wonderful tearning in sassy Will Smith and sardonic Tommy Lee Jones. "Searching for a handle on the moment?" asks the latter when the rookie alien investigator is first confronted with the tentacled weirdos from outer space. Fave moment: Noisy Cricket.