As last year’s ‘Only After Dark’ compilation of postpunk synthpop suggested, DD have belatedly concluded that they’re really more Arcadia than Power Station, and with this – their first album since guitarist John Taylor split – they’d like to come across as godfathers of avant-pop.
If you’re willing to overlook Simon Le Bon’s always peculiar lyrics and occasionally strained singing, ‘Red Carpet Massacre’ is actually pretty impressive. The three Timbaland/Timberlake hookups are effective rather than embarrassing, and with the slinky “Nite Runner” they’ve produced their best single since 1986’s “Skin Trade”.
STEPHEN TROUSSÉ
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