Album

The Continental OP – Slitch

Will Oldham and David Pajo on soundtrack duty

Captain Beefheart And His Magic Bands – Railroadism: Live In The USA 72-81

Companion piece to last year's live-in-the-UK comp. Includes San Francisco's 1966 add-on "Avalon Blues"

Progspawn

First four albums from Wayne Coyne's favourite progressive act, expanded and remastered

Momus – Oskar Tennis Champion

Exiled Scots maverick follows up 2001's Folktronic, now with added glitches

Bergheim 34 – It’s Not For You As It Is For Us

A soothing stroll down Germany's less travelled electro boulevards

This Month In Soundtracks

Bret Easton Ellis' second novel was very much of the '80s, but one of the many clever things Roger Avary's done with his pulsing movie adaptation is to catch the feel of that decade's music without slavishly nuzzling obvious nostalgia trends. The underlying score, by indie-flick stalwarts tomandandy (sic), is both inventive and unsettling. Around it are layered songs of a chic, shiny kind of darkness, borrowed from various eras: tone and temperature are more important here than timeliness.

The Bad Plus – These Are The Vistas

Potent jazz piano trio debut

Lil’ Kim – La Bella Mafia

Rapper-turned-actress hams her way through third album

Soft Machine – BBC Radio 1967-1971

Their extraordinary evolution as heard through John Peel's Top Gear

Positive Altitude

Utopian popsters' sublime rarities are a head and long neck above the opposition
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