Emerging in 2001 with "Circle", a collaboration with Doseone of the oddball cLOUDDEAD collective, Boom Bip was an onomatopoeically perfect alias for the creator of glitchy, goofy-footed hip hop. Now, it's doubtful Bryan "Boom Bip" Hollon would describe what he does as hip hop in any way. Corymb (it's botanical) is a giddily gorgeous collection of remixes (Boards Of Canada, Four Tet and others) and new tracks.
Futuristic tale of corporate industrial espionage from Cube director Vincenzo Natali, with Jeremy Northam convincing as a nerdy salesman drawn into a world of brainwashing and betrayal who ends up questioning his own identity while falling for mysterious temptress Lucy Liu. It's Phil Dick meets Alias, but enjoyably undemanding.
It's an unlikely story: avant-garde cellist sees the light in a disco glitterball at New York gay club The Gallery and decides disco is the ultimate modern format for exploring minimalist composition. In the mid-'70s, Russell—conservatory-trained, a scholar of Eastern music forms, steeped in the ideas of Steve Reich and Terry Riley—was blown away by the engulfing quality of music transmitted over a massive club sound system and literally entranced by disco's use of repetition.
