Seeing as how Matthew E White and his band are on tour in the UK this week (I’m seeing him play in London tomorrow), it seemed a good time to post the feature about my visit to Richmond a couple of months ago. I’ve put a few links to stuff in here, too, so you can get a taste of the really interesting music coming out of the scene that revolves around White. Long read, this one…
The deluxe reissue of Saint Julian is reviewed in the new issue of Uncut, dated March 2013, and out now, so it seemed time to revisit October 2007's issue (Take 125), when the always-enlightening Julian Cope answered questions from readers and famous fans… Words: John Lewis / Photo: Sam Jones____________________
Alex Chilton’s wild, idiosyncratic life after Big Star is examined in the new issue of Uncut (Take 180, May 2012), out now. But what happened before the demise of Chilton’s greatest group? They should have been rock superstars, but Rob Jovanovic explains how drugs, in-fighting and personal tragedy meant Big Star had to settle for being the biggest cult band of all time (from Uncut's Take 94, March 2005).
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The more-than-extensive ‘Immersion’ edition of Pink Floyd’s opus The Wall (the box includes a scarf and marbles!) is reviewed in our latest issue, out now – so we thought we’d revisit John Lewis’ excellent feature from June 2011 (Take 169). As the extravaganza arrives in Europe, Uncut meets the obsessive fans, stoners, bloggers and military advisors who’ll follow Waters and his lavish production to the ends of the globe…
The new April issue of Uncut, out now, features David Bowie peering from the cover in his guise as sleazy space-star Ziggy Stardust. To celebrate this look at Bowie’s greatest creation 40 years on, here’s a fantastic piece from Uncut’s 18th issue, in November 1998, in which Chris Roberts looks back at the glammed-up, transgressive superstars who changed his adolescent world.
