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AC/DC

Hush Arbors: “Hush Arbors”

It occurred to me, some time after filing the AC/DC blog on Friday, that I’ve been a bit slack at covering underground stuff (“Interstellar Overdrive” notwithstanding) for the past week or two.

Endless Boogie: “Focus Level”

I’ve been blown away this week by the first album from a New York band called Endless Boogie. The name was vaguely familiar, and reading through the press release it transpires that the band played Slint’s All Tomorrow’s Parties a few years back. There are some earlier singles, I think, which Bubba helpfully linked to here.

Sun Kil Moon: “April”

Someone from a site called Splicetoday spammed one of my old REM blogs last week, posting a link to an interesting compare-and-contrast piece on both “Accelerate” and Mark Kozelek’s new Sun Kil Moon album, “April”. It reminded me, amongst other things, that I’d been sleeping on the Sun Kil Moon record; that maybe the embracing familiarity of Kozelek’s latest doleful epic had made me take it for granted. Or maybe it was just that I’d been listening to it on one of those moody secure streams, and today a CD arrived.

Thistletown and Gavin Bryars

A couple of things that have been hanging around for a few weeks now, and deserve some love here. One is “Rosemarie”, the debut album by an authentically fragrant Cornish band of Pre-Raphaelite damsels and dazed troubadours called Thistletown. Give me any excuse, and I’ll go into a comically apoplectic rant about the uselessness of most contemporary British bands who style themselves as acid-folk.

Eagles Of Death Metal wake up Reading

Jesse 'The Devil' Hughes raises his hand to the sky. "This is the biggest and coolest rock and roll show we've ever played in our motherfucking lives!"
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