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From Laurel Canyon to jazz-rock's far outposts - the suffragette of sensuality's stunning first decade...

No myth-making here: just an impressive document of old friends blowing minds again...

Los Angeles quartet the Allah-Las have the most perfect of backstories for a group making such informed, articulate pop music. Three of the group’s members met while serving time at the legendary LA record store, Amoeba, one of the best ways to learn your craft and do your listening, all while getting paid to schlep CD cases and LP sleeves into the aisles and across the counter. They’ve been playing together since late 2008, slowly chipping away at a vision that’s equal parts genteel psychedelia, ’60s beat movement, and softly strummed, post-Byrdsian jangle-pop.

With The Beatles set to reissue their 1967 film Magical Mystery Tour, previously unseen footage of the band making the film is being shown online.

An in-depth Uncut interview with Jack White from the time of Blunderbuss

Franz Ferdinand's Alex Kapranos dubbed Oasis as "boring" in an impromptu question and answer session with fans on Twitter last night [May 8]. When asked what tips he would give to new bands, his advice was to steer clear of Oasis covers: "Never cover Oasis. Never forget your friends. Always have a laugh." Queried further on why bands shouldn't cover Oasis, Kapranos replied: "Ach. Nothing personal. Just because everyone does. And they're so fucking boring."

As this month’s new Uncut (May 2012, Take 180) features Brian Fallon talking about The Gaslight Anthem’s upcoming new album, Handwritten, we thought it would be fitting to dig out this Uncut feature from January 2010 – in which Fallon tells Jaan Uhelszki how he became a rumbustious, show-stealing international phenomenon, beloved even by The Boss himself. Not bad for a tattooed punk kid whose “mother fed me Born To Run with my Cheerios”…

The new April issue of Uncut, out now, features David Bowie peering from the cover in his guise as sleazy space-star Ziggy Stardust. To celebrate this look at Bowie’s greatest creation 40 years on, here’s a fantastic piece from Uncut’s 18th issue, in November 1998, in which Chris Roberts looks back at the glammed-up, transgressive superstars who changed his adolescent world.