There was life after prog for Utopia. After years of hi-tech bombast and electronic freakouts, the band and their music lost ballast. By 1980, they were playing new wave-inflected pop-rock and Beatles pastiches. Bassist Kasim Sulton wears a skinny power pop tie and synth whizz Roger Powell looks like a Buggle on acid. The highpoints are the extremes: Todd Rundgren crooning "Hello It's Me" and "Cliché" alone, and the group in full-tilt cosmic mode for "Initiation".
Siouxsie as a punk Monroe? Not quite, for despite the title, she looks more like a goth version of Marlene Dietrich in her pin-stripe suit. The jacket and tie later comes off to reveal a glittering bra as she works her voodoo on aged punks and new hedonists on the Banshees' 2002 reunion tour. Oldies such as "Spellbound", "Peek-A-Boo" and "Happy House" have lost none of their theatrical power and are augmented by one new track, an extraordinary version of The Beatles' "Blue Jay Way".
In most cultures, seven is a magic number. Not in rock'n'roll, where to sustain any degree of originality beyond album three or four is about as rare as a sober Shane MacGowan.
