As part of our Great Lost Films feature in the current issue of UNCUT, I wrote a piece on the making of The Last Movie, Dennis Hopper's follow-up to Easy Rider. One of the people I spoke to was The Last Movie's screenwriter Stewart Stern. At one point during our interview, Stern mused dryly: "It was never quiet around Dennis."
Certainly, Dennis Hopper - who died today aged 74 – was too tempestuous a personality ever to be considered quiet, even by Hollywood's colourful standards.
A few bits and pieces to mop up today, beginning with one last thankyou to everyone who has posted on the end of year blogs – or, come to that, who's commented on any of the things I’ve written in the past 12 months. It’s been a genuine pleasure to hear from almost all of you; and of course heartening to discover other people interested in the same music.
Pretty weird mix this week, as I look down this list, not all of it fantastic. If I can break the usual protocols here, though, the Johnny Cash remix is really awful, and I speak as a Snoop Dogg fan. Given that “I Walk The Line” looked like the most interesting thing on the Cash remix album that turned up the other day, I suspect we might have found the worst record of 2009 already – though I must confess I don’t have the moral courage to check and make sure.
Perhaps as a response to the American psych-folk scene, over the past few years there’ve been a handful of British bands who’ve sought to channel the late-‘60s/early-‘70s folk-rock scene. Most of them, unfortunately, have been more or less worthy but misfiring. Trembling Bells, though, are a big exception.
A few weeks ago, I received an email from America that mostly consisted of an encomium from Michael Gira on the subject of his newest signing to Young God, James Blackshaw. I’m more of an admirer than a fan of Gira’s music, and not all of the music on his label has worked for me; Akron/Family, for instance, after countless attempts remain mystifyingly unappealing.
Not quite as long a playlist as usual this week, chiefly because Number Nine here – The Grateful Dead live at “Winterland 1973” – is a box set of nine CDs, and we played the first three, comprising the entire set from November 9, straight through yesterday. November 10 and 11 to come in the next couple of days, if my colleagues will let me get away with it, then there’s a 3CD set from around the time of “Terrapin Station” to have a go at, too.
Biggish news this week, with the arrival of Neil Young’s new album, “Fork In The Road”, Neil’s collaboration with Booker T and The Drive-By Truckers, and the second solo joint by ex-Trucker Jason Isbell, which makes me feel like I’ve been moving in ever decreasing circles for the past couple of days.
It’s beginning to look as if, in certain online circles, there’s going to be quite a fuss around the new Grizzly Bear album, “Veckatimest” – comparable perhaps to the heat around the Animal Collective record at the end of last year. Security’s comparably tight around “Veckatimest” – ironic considering it was Grizzly Bear themselves who benignly leaked a couple of “Merriweather Post Pavilion” tracks – but we did manage to sneak one listen yesterday.
