Oblique, arcane and infuriatingly sluggish, even by Tarkovsky's standards (makes Andrei Rublyov look like Moulin Rouge), Nostalgia is the litmus test for arthouse cinephiles. The 'story' of a Russian poet locked in existential agony while researching an obscure 18th-century composer is brimful of breathtaking tableaux, portentous dialogue and primal symbolism (flickering flame as human soul). But is it enough?
With Skyscraper National Park, the quiet ebb and flow of Paul Hayden Desser's cracked, sad-slow lullabies proved one of last year's more insidious treats. On record often hushed to the brink of fade, the Canadian's downbeat allure is set surprisingly aglow, however, before a pocket of punters.
