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Johnny Cash—The Man, His World, His Music

First issued on video in 1985, this is a fully absorbing, occasionally revealing insight into the country legend's late '60s heyday. A fly-on-the-wall documentary charting a typically grinding US tour, Cash is never less than engrossing, be it gleefully jamming with a nonchalant Dylan (a searing version of Billy Edd Wheeler's "Blistered"), duetting with 'er indoors June Carter ("Jackson") or cutting rug with lead guitarist Carl Perkins ("Blue Suede Shoes").

Magnificent Seventh

In most cultures, seven is a magic number. Not in rock'n'roll, where to sustain any degree of originality beyond album three or four is about as rare as a sober Shane MacGowan.

St Elmo’s Fire

The 1985 film that launched the careers of the Brat Packers. This finds Emilio Estevez drooling over Andie MacDowell, Demi Moore coked out of her box and Rob Lowe being annoying and fratboyish—like much of the script. A must for those who thrill to the antics of self-absorbed young Americans.

Rock & Roll Animal

Fourth album proves crowning glory of Detroit duo's meteoric career to date

Meanwhile Back In Communist Russia – My Elixir: My Poison

Second time around for intense Oxfordshire post-rock quartet

Slow Dazzle

Hazy 12th album from perennial indie favourites

Motor Boys Motor

What's left of The MC5 kick out those jams again with help (and hindrance) from Dave Vanian, Ian Astbury and a razor-sharp Lemmy

Jackie Leven – The Borderline, London

One of the oddest gigs I've seen in a long time. The weathered Leven sings mournful songs of loss and regret in a rich, soulful voice. He's a big poetry man, quoting Pablo Neruda on his new album Shining Brother Shining Sister. Yet, more often than he's being a melancholic, working-class minstrel, he's being a man of the people in an entirely different manner. For at least half his time onstage, he tells bawdy shaggy dog stories.

Barbara Morgenstern – Nichts Muss

Third album of synthetic teutonica from German chanteuse

Sole – Selling Live Water

Absorbing countercultural rap
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