Steve Albini takes aim at Tidal

He calls it a "budget version of Pono"

Trending Now

Bauhaus on ‘Bela Lugosi’s Dead’: “It was the ‘Stairway To Heaven’ of the 1980s”

Originally published in Uncut's January 2019 issue Looking back from a distance of 40 years, Bauhaus’s singer Peter Murphy is...

A Mazzy Star interview: “There’s happiness, but there’s also torture…”

Very sad news overnight about the passing of David Roback. By way of a tribute, here's my career-spanning Mazzy...

Robert Plant: “There was no infrastructure in Zeppelin!”

Robert Plant: "There was no infrastructure in Zeppelin!"

Steve Albini has spoken out about Jay-Z‘s new high quality streaming service, Tidal.

Tidal launched last month [March 30, 2015], supported by artists including Jack White, Arcade Fire, Kanye West, Madonna, Beyoncé and Daft Punk.

Jay Z has claimed that the platform will be more beneficial for artists, but many have voiced their criticism of the company’s royalty structure since its initial launch.

Advertisement

In an interview in Vulture, Albini has raised doubts over the platform and calling it a “budget version of Pono“, Neil Young‘s high-definition music player.

“Historically, every time there’s been a new technological progression, there’s been a new convenience format [for listening to music],” Albini is quoted as saying. “So the question is, is it possible for something to be more convenient than streaming? And the answer is obviously yes. If you want your music to play at the push of a button, convenience is going to trump sound quality 100 percent of the time.”

“It’s for the same reason that if you had a screen that displayed paintings in your living room, very few serious art enthusiasts would care for such a screen despite the fact that it might show you very high-resolution images of artworks. They want to own a piece of art that is a direct connection to the person who made it. Having an HD screen in your house that would display artwork might have a market, but it’s not the same market as people who are interested in owning art.”

Albini continues that the growing number of streaming services, each with exclusive content, may mean that music fans seek alternate means of consuming music.

“The for-pay services are deluding themselves by trying to establish a permanent monetization of something that’s in flux. The internet provides access to materials and things. Creating these little streaming fiefdoms where certain streaming services have certain artists and certain streaming services have other artists is a crippled use of the internet. If the internet has demonstrated anything over the years, it’s that it has a way of breaking limitations placed on its content.”

Shellac weren’t originally available on Tidal’s main streaming competitor, Spotify, until Albini felt “snobbish” about his decision.”For listeners, [Spotify is] great. [Heavy metal band] High on Fire is excellent if you want background music for poker.”

Advertisement

Last year, Steve Albini called online music sharing the best thing since punk rock. “The single best thing that has happened in my lifetime in music, after punk rock, is being able to share music, globally for free. That’s an incredible development,” he said.

Advertisement
Advertisement

Latest Issue

Robert Plant, Karen Dalton, Elton John, Stephen Malkmus, Maria McKee, Shabaka Hutchings and Iggy & Bowie – plus a free 15-track CD
Advertisement

Features

Advertisement