When Mark E Smith of The Fall died last month, it brought to an end one of the most singular, uncompromising, baffling yet exhilarating bodies of work in all of music. As part of an extensive tribute in the latest issue of Uncut, on sale now, his bandmates and contemporaries attempt to put their fin...
When Mark E Smith of The Fall died last month, it brought to an end one of the most singular, uncompromising, baffling yet exhilarating bodies of work in all of music. As part of an extensive tribute in the latest issue of Uncut, on sale now, his bandmates and contemporaries attempt to put their finger on what made Smith such a brilliant and magnetic figure.
Julian Cope recalls Smith as a “compadre in Krautrock” during his formative years on the post-punk scene. “Mac [Ian McCulloch] and I were in awe of Mark.”
“He was a one-off,” says Pete Greenway, the most recent of The Fall’s many, many guitarists. “Whatever subject you talked to Mark about, he would always come at it from a completely different angle to you. An angle you’d never thought of and would never expect. And that would be all the time. He was like that in his life and he was like that in his songwriting.”
Meanwhile, David Cavanagh – Uncut contributor and author of Good Night and Good Riddance: How Thirty-Five Years of John Peel Helped to Shape Modern Life – delivers the definitive tribute to Smith.
You can read much more about Mark E Smith, from his unparalleled syntax to his memorably bizarre TV appearances, in the current issue of Uncut, out now.
