Reviews

Disco punk debut from ex-Stereo Total bassist includes cameo from Gonzales

Belated UK release for the little guy's jazz-gospel extravaganza

Solo albums from James Brown's horn section, produced by George Clinton

British trip hoppers curate latest editions of successful compilation series

Gospel singers praise Bob, with bonus visitation by the man himself

Mind-bending art movie from that most schizo of directors

Gary Oldman, miscast but blowing hard in Peter Medak's 1993 thriller, is a sleazy cop who takes bribes to spend on his wife (Annabella Sciorra) and mistress (Juliette Lewis). As if that wasn't enough girlie action, he lusts after hot hitwoman Lena Olin, but his dick leads him into a world of violent trouble. Wilfully sexist and almost camp, but hey, you can't say it's dull.

The Clash imploded just as promo videos became the norm, which is a shame, as their "Rock The Casbah" short, shot on an oil derrick, is more timely than ever in the wake of the current Iraq conflict. But the really great thing about this collection is the numerous incandescent live performances culled from throughout their meteoric career.

After an almost imperceptible slight to his honour, gruff Napoleonic soldier Harvey Keitel challenges effete cavalryman Keith Carradine to a duel. The duel is fought, the outcome is inconclusive, and thus begins 16 long years of sporadic but all-consuming bouts between these two barely acquainted foes. An ambitious 1977 Cannes Award-winning debut from Ridley Scott, The Duellists is visually sumptuous, and is nicely underplayed by both Keitel and the endearingly camp Carradine. Yet it's a film defined by the brevity of its source material, a 'short' short story by Joseph Conrad.

Archive trawlers find more unreleased examples of Randy California's muse