Reviews

Peggy Lee

This frustrating compilation trawls the archives from the early '40s to the late '80s to assemble 20 of the divine Miss Lee's greatest film and TV performances. While some clips are understandably washed-out, Lee's wide-ranging voice is black-coffee-and-honey throughout. What lets the set down is the decision to cut gushing tributes from celebrity fans into the performances. That aside, fine stuff.

Downtown Uproar

Legendary 'bootleg' recording of the Velvets on home turf, taped just before Lou Reed went home to mama and then became the godfather of gory glam

The Free Design

Soft-pop group so good Stereolab named a song after them

David Crosby And Graham Nash – Crosby-Nash

First album of joint material since 1976's Whistling Down The Wire

Tex Appeal

Southern gothic via Manchester

Various Artists – Country Got Soul:Volume Two

Following the success of 2003's inaugural compilation, the follow-up sways to the same delicious white-boy groove. The cream of '60s/'70s southern country is here—from Tony Joe White to Dan Penn—torn between smalltown escape and pining for home. White's "High Sheriff Of Calhoun Parish" drifts in on a haze of woodsmoke; Bobby Gentry's "Fancy" is stifling humidity personified; Townes Van Zandt gets alarmingly funky on the early "Black Widow Blues" (1966); Shirl Milete's "Big Country Blues" is a lyrical feast.

The Durutti Column – Tempus Fugit

Manchester's mercurial ex-Factory man on fine form

Shrek 2

Second helping of mega-popular kiddie franchise

Easy Rider: Special Edition

Peter Fonda's cool Captain America rides across America with the wired Billy (Dennis Hopper), encountering hippies, rednecks and Jack Nicholson as dipso lawyer George Hanson. It looks as mythically beautiful as it did back in '69. And Hanson's campfire speech about Amerika is more chillingly relevant than ever.

Blind Shaft

In present-day China, two drifters run a murderous scam, luring unsuspecting marks into working alongside them down the coal mines. There they kill their prey, fake a cave-in, then collect hush-money from mine-owners terrified about being shut down. Shot guerrilla-style in China's bleakest provinces—and promptly banned by the country's authorities—former documentarist Li Yang's feature debut is a spare, stunning slice of naturalist noir.
Advertisement

Editor's Picks

Advertisement