Reviews

Divine Restoration

So, the greatest album never made has finally been made. Thirty-eight years on from its conception, Brian Wilson has painstakingly gathered up all the shattered mosaic pieces, and with the help of the best little tribute ensemble in the world, The Wondermints, has produced a reasonably faithful facsimile of the bold, ambitious masterpiece that nearly cost him his sanity back in 1967. The resulting work, rigorously road-tested during this year's tour dates, is a 17-track song suite in three movements which clocks in at a second over 47 minutes.

Matthew Sweet – Living Things

Nebraskan psych-popper hits form

Julian Fane – Special Forces

Twenty-one-year-old Canadian's debut of emotive electronica

State River Widening Cottonhead – Vertical Form

Government-endorsed, panic-reducing instrumentals from Wisdom Of Harry moonlighters

Six By Seven – 04

East Midlands space cadets unveil heavy guitar weaponry

Elvis Costello With The London Symphony Orchestra – Il Sogno

Rock purists derided Costello when he first flirted with classical forms 11 years ago, but his Brodsky Quartet collaboration The Juliet Letters still sounds like a bold career swerve. It could even be considered a punk statement in its bare-faced arrogance (stop sniggering at the back). Countless eclectic excursions later, Costello returned to Shakespeare in 2000 when an Italian dance troupe commissioned him to score a ballet based on A Midsummer Night's Dream.

Glen Matlock & The Philistines – On Something

Onetime Pistol's third solo LP. Oh dear...

Reconstruction

Bold, baffling romantic drama from Denmark

Purple Rain

Described recently as "the ultimate good-bad rock movie", this 1994 movie (along with the 10m-selling album) brought the liquid-hipped one to middle America, mutating his funk into warped guitar rock. The story? Bad boy with warring mixed-race parents, Prince takes it out on girlfriend Apollonia, till she whips her top off. Then everyone's happy, so they jam.

The Martin Scorsese Collection

TARANTINO RECENTLY suggested Scorsese's best days are behind him. Kundun, Bringing Out The Dead, Gangs Of New York—it's not just that these movies struggled to connect with audiences, Scorsese himself seemed unable to get a firm grasp on them. Is this still 'the greatest living American film-maker'? At least this long-overdue three-film box set reminds us how he earned that title. Check out his 1969 debut, Who's That Knocking At My Door?
Advertisement

Editor's Picks

Advertisement