Album

Enjoyable survey of underrated Oxford trio's first decade

Brooklynite Jon DeRosa's outfit are deceptive. At face value, PHAR offer little more than a sad shuffle, the odd cracked waltz and scattered flurries of noise. But give it time and these trampled-heart melodies burrow under the skin. Last year's Uncut-endorsed These Are The New Good Times was DeRosa's stoned-slacker take on slo-mo country mores, but here he broadens the palette with the addition of Low collaborator Marc Gartman as co-songwriter and ex-Mercury Rev pedal-steeler Gerald Menke.

Not only a Brit comedy that's funny, but an indie-pop soundtrack that's in good taste. Queen's "Don't Stop Me Now" and "You're My Best Friend" are here to ensure nobody thinks this is XFM, but otherwise I Monster, Eighties Matchbox B-Line Disaster and Ash do it for the kids. Grandmaster Flash and Man Parrish do it for the kids with rhythm. Lemon Jelly do it for the parents. The Smiths and The Specials do it for us all. And Ash teaming up with Chris Martin to cover Buzzcocks' "Everybody's Happy Nowadays" is surely done with good intentions and a sense of humour.

Latest from sometime Buck 65 sidekick

Smart pop from eight-strong collective of Swedish waifs and strays

Noble attempt to shrink three decades of excellence onto two CDs

Concussive debut album from New York avant-rockers

The Korgis' bittersweet 1980 hit "Everybody's Got To Learn Some Time", and 1998's future of rock'n'roll, Beck. What could they have in common? Well, Beck has wised up and done a cover of said narcoleptic nugget. And in this intelligent, melancholy film, it sounds every bit as affecting as intended. Jon Brion, the man behind the score to Magnolia, contributes the bulk, while The Polyphonic Spree chime in with "Light And Day". If you enjoy the Spree un-ironically, you'll also love ELO's "Mr Blue Sky", here in all its bombast.

Stadium-techno heavyweights bow out in style

Garage-punk supergroup do garage-punk supergroup. Go figure