Album

51-track double-disc comp gathering together hits and rarities

Bristol drum'n'bass godfather goes hectic and eclectic

Sometime bartender, midwife and reverend, O'Connor's true calling may lie as a remarkable interpreter of song. Though recent years have found her adding dewy vocal harmonies for Andrew Bird's Bowl Of Fire (and Mavis Staples), her solo debut is long overdue. A brace of impressive originals—"My Backyard", "Tonight"—are whispers of classic honky-tonk, but she truly shines on covers of James (Squirrel Nut Zippers) Mathus' "Bottoms" and "Nightingale", twisting each into the kind of lovelorn ballad Alison Krauss would kill for.

Promising debut fresh out of Scunthorpe

Young Bristol folk star shines on

Noirish return to form from veteran art-punk

Mighty compilation of LA country-punk pioneers

Songwriting legend breaks her 'retirement' with hand-picked best-of

Career-spanning jewels from possibly the greatest jazz singer in the world

So, the greatest album never made has finally been made. Thirty-eight years on from its conception, Brian Wilson has painstakingly gathered up all the shattered mosaic pieces, and with the help of the best little tribute ensemble in the world, The Wondermints, has produced a reasonably faithful facsimile of the bold, ambitious masterpiece that nearly cost him his sanity back in 1967. The resulting work, rigorously road-tested during this year's tour dates, is a 17-track song suite in three movements which clocks in at a second over 47 minutes.