Uncut

Advances on electroclash from Omaha and Germany

Danish duo's debut garage-rock blast

Guitar legend's moving valediction

Continuing saga of the 'real' Ryan Adams

Midwestern siblings in Britpop homage

Fifth album from enigmatic New York songstress

Both Jim Krewson and Jennie Benford were raised in tradition-steeped communities (in Pennsylvania and Vermont respectively), rebelling into punk before reconnecting with roots years later. Their third album smudges the boundaries of bluegrass and old-time (fixin' a party between Scruggs-style, three-finger banjo and orthodox clawhammer) to strike a picture of high'n' lonesome authenticity. Aided by the Pinetops' propulsively rhythmic playing, the marriage of Benford's clear mountain preen and Krewson's hickory yelp is life-enhancing.

Hailing from the same US stable as The Mendoza Line, the Austin, Texas quartet Shearwater embrace a drowsier strain of melancholy on their second LP—all shuffling shades of piano, picked guitar and stings. Producer Brian (Daniel Johnston) Beattie filters just enough light to ward off any impending claustrophobia, while the contrast between ardent ornithology student Jonathan Meiburg's falsetto and Okkervil River moonlighter Will Robinson Sheff's upbeat crackle adds a subtle duality.

Also released this month...

An animated kiddies' thing which, to my untrained eye, looks scarily like Rugrats, this is set in the African wilderness. And has elephants in it. So you don't need to trouble your inner genius to work out that Peter Gabriel, Youssou N'Dour and Paul Simon will feature. "Father And Daughter" is the latter's first song for a film in 15 years, and he can still turn a lyric and craft a tune like an unlikely deft demi-god. He can even mumble "trust your intuition, it's just like goin'fishin'" and sound wry. It's no "Mrs Robinson" but it's warm as a puma's gums.