Bad religion

More death, Vicar? Aged 76, KK faces down the Reaper...

For the current issue of Uncut, I interviewed Damon Albarn as part of my piece on his “Dr Dee” project (you can read it here). There wasn’t room for all of his answers in the mag, but today’s announcement of extra Blur dates prompted me to post the whole thing here.

Among the residents of Treme, David Simon’s HBO drama series about the inhabitants of New Orleans in the wake of Hurricane Katrina, you’ll find a character called Delmond. Delmond, a talented jazz trumpeter, is a deeply conflicted individual. In the person of his father, he is tied to the ruined city, its historic music and its obscure ritual cultures. And yet, he is drawn to the East coast, where the ensemble in which he plays is in considerable demand.

The new April issue of Uncut, out now, features David Bowie peering from the cover in his guise as sleazy space-star Ziggy Stardust. To celebrate this look at Bowie’s greatest creation 40 years on, here’s a fantastic piece from Uncut’s 18th issue, in November 1998, in which Chris Roberts looks back at the glammed-up, transgressive superstars who changed his adolescent world.

Today, the Uncut Music Award judges ruminate on the power of Josh T Pearson's debut solo album, "Last Of The Country Gentlemen".

'We All Go Back To Where We Belong', 'A Month Of Saturdays' and 'Hallelujah' were recorded this summer

The breakthrough fourth album, reissued with a trove of demos...In 1986, REM’s elevation to umpty-million-selling ubiquity, dominant influence and stadium marquees appeared other than inevitable. The Georgia quartet had released, in breakneck succession, two critically adored albums (1983’s Murmur, 1984’s Reckoning) and a third (1985’s Fables Of The Reconstruction) which was a much more expansive but nonetheless nervy and flawed record.