Ryuichi Sakamoto: Coda

Superior doc about the esteemed musician

Trending Now

Tim Buckley’s Starsailor: “It was just so good in the studio”

Bandmates recount the making of his mercurial masterpiece

The 8th Uncut New Music Playlist Of 2020

It's Friday afternoon, so it's time for another of our rarer-than-intended rundowns of the finest new music that's appeared...

Michael Stipe: “I don’t have to please anyone but myself”

In Uncut's exclusive interview, he discusses new solo material and REM's legacy

Stephen Nomura Schible’s film opens in Miyagi, Northeastern Japan in 2012, the year after the region was devastated by an earthquake. Ruyichi Sakamoto has come to meet one of the survivors: a piano. “I wanted to hear its sound,” he explains, plucking around in the guts of the instrument. The next we see of the composer, he has donned a white ABC suit to tour the ghostlike, abandoned “Restricted Containment Zone” near the Fukushima nuclear power plant. It transpires that death and disaster are recurring themes in Coda.

Get Uncut delivered direct to your door – find out how by clicking here!

In 2014, Sakamoto was diagnosed with throat cancer. As a consequence, he junked the music he was working on and started anew. The high stakes creation of what finlly became async – his restorative album from 2017 – provides the focus for Schible’s film. There are field trips – similar to Fukushima – where Sakamoto searches out sounds to incorporate into his music. Among them, a glacier and a forest. The patience and sensitivity Sakamoto brings to his work is mirrored in Schible’s direction.

Advertisement

In some respects, the film Coda resembles is The Kingdom Of Dreams And Madness – the documentary about Studio Ghibli about Hayao Miyazaki and Isao Takahata. Both films portray well-respected, resolutely anti war Japanese artists aghast at their country’s shift towards the right. Ironically, Takahata once fired Sakamoto claiming his music was “too serious” for Studio Ghibli films.

Schible’s strongest suit is Sakamoto himself. Slender, bespectacled, foppish grey hair, he is unflappable at work in the studio – though prone to almost boyish bursts of excitement when he hits a pleasing chord progression. His hair is even more foppish in flashback, glimpsed in Yellow Magic Orchestra footage or around the time he starred in and composed the music for Merry Christmas, Mr Lawrence. There are warm, funny anecdotes, too, about working with Oshima and Bertolucci. A superior film.

Follow me on Twitter @MichaelBonner

The August 2018 issue of Uncut is now on sale in the UK – with Prince on the cover. Elsewhere in the issue, you’ll find exclusive features on John Coltrane, Graham Nash, Cowboy Junkies, Rolling Blackouts Coastal Fever, Hawkwind, Jennifer Warnes, Teenage Fanclub, David Sylvian, Wilko Johnson and many more. Our free CD showcases 15 tracks of this month’s best new music, including Israel Nash, Dirty Projectors, Luluc, Ty Segall and White Fence, Nathan Salsburg and Gwenifer Raymond.

Advertisement
Advertisement

Latest Issue

Peter Gabriel, Michael Stipe, The Flaming Lips, Tim Buckley, David Bowie, Archie Shepp, Jonathan Richman, Mary Chapin Carpenter and The Rolling Stones
Advertisement

Features

Advertisement