Reviews

Frequently awesome country-spacerock from Washington DC

Jazz-tinged folk from prolific, political US singer-songwriter

Left-field concept album from arthouse diva

First since 2001's Returning Jesus from durable duo

Plastic pop tarts' revival confirmed by box set

Two-CD, 33-track comp of pioneering street funk with emphasis on early years

Much-bootlegged material finally given official release

Lifting the lid on LAPD brutality and corruption

A double header, featuring two of David Lean's finest directorial efforts. Hobson's Choice (1954) sees Charles Laughton's magnificently overbearing Lancastrian patriarch butt heads with his equally stubborn daughter Brenda de Banzie, while John Mills is splendid as her husband, the worm who turns. The Sound Barrier (1952), in which Ralph Richardson attempts to devise the first faster-than-sound plane, sees stiff upper lips wobble as his efforts come to grief. It's also notable for some fine aerial sequences. Bravo, chaps!

Mike Figgis' one-take, four-camera, split-screen Hollywood satire is avant-garde without being pretentious, innovative without being wearisome. Here, like a Dogme remix of The Player, Figgis and his nimble cast ridicule the aching venality of the movie industry over one long and ultimately homicidal November afternoon.