Album

Ex-Golden Rough mainman Walker is backed by a full band of buddies on his second solo album, Ashes & Wine, and sounds like someone snug in his own skin. Here he draws on his carpetbag of honky-tonk tricks ("Helpless Guy"), Stonesy strut ("Dissatisfaction"; "Letdown") and the rough-diamond rattle of early Son Volt ("Please Save Your Tears"). Walker's voice is equal parts whiskey and gravel—classic rawk and bottom-of-the-glass country-blues -somewhere between Jagger and Steve Earle. Expressive, literate and ballsy stuff.

Born out of Williamsburg's vibrant underground scene in 2000—and sounding not unlike the soundtrack to a painfully hip party there, Vic Thrill's debut is a fizzing cocktail of world music polyrhythms, camp theatrics and techno wizardry. The influence of Ziggy is evident throughout, but there are also strains of the kitsch disco of Pizzicato 5, the murky pop of The Frogs and snatches of the Happy Mondays and Underworld. Incessant and uptempo for much of the time, it is unmistakably danceable. As if entirely worn out, the record closes with the Grandaddy-esque "Zero Odds".

Beautifully sung, but too poppy for hardcore folkies

Twenty-eight tracks from influential '60s Chicago soul group

What a long strange trip it's been. Again

When Moby sampled Vera Ward Hall's "Trouble So Hard", he was merely the latest in a long line of musicians to use as a source the field recordings made in the Deep South between 1933 and 1959 by the folklorist Alan Lomax. The Popular Songbook collects together 22 such tracks and, perhaps to your surprise, you'll find you know almost every one of them—if not in these original versions then in covers by artists as diverse as Clapton, Miles Davis, Steve Miller, Dylan, Led Zep and The Grateful Dead. File alongside the Harry Smith's Anthology Of American Folk Music.

Limpid nocturnal longing on seventh album from shifting collective

The Tamworth shaman returns to the fray, heroically recharged

Important country-rock harbinger from Alabama siblings Vern and Rex

Stealthy romantics collate their non-hits