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Bandito On The Run

Third helping of Robert Rodriguez's cod-western guns-and-girls saga

Ned Kelly

Hit-and-miss retelling of legendary outlaw's tale

It’s A Guy Thing

Quality Australian thriller about fraternal bank robbers

Blast From The Past

Perfect '70s pop pastiche from Nashville-based singer-songwriter

Natalie Merchant – The House Carpenter’s Daughter

Former 10,000 Maniac gal's long-mooted collection of traditional and contemporary folk songs

Kosheen – Kokopelli

Second album from Bristol-based rock-dance crew

Rock This Joint

Arguably (though there's no debate among the voices in this listener's head) the best album of 2001, Asleep In The Back must have been a tough (and tender) act to follow. Partly because the Lancashire-based band had around 10 years to write, record and re-record that debut, navigating a route through various music biz mazes. Required to deliver a follow-up with unaccustomed haste after gold discs, rave reviews and sold-out US tours, Elbow initially froze. "It was like rolling a boulder up a hill", Guy Garvey's said. They took a break, reflected, reconvened.

Mick Farren – People Call You Crazy: The Story Of Mick Farren

Career retrospective including work with The Deviants and solo outings

Laura Cantrell – Not The Tremblin’ Kind

The reissue of Cantrell's 2000 debut is timely following the critical success of last year's When The Roses Bloom Again, and a major US tour with Elvis Costello. John Peel deemed this his "favourite record of the last 10 years and possibly my life", while Costello describes her sound as "if Kitty Wells made Rubber Soul". Nashville-bred, NYC-based Cantrell is steeped in country and bluegrass, but brings a strident grace all her own. Set atop guitars both acoustic and twangy—and soft squeals of steel—her voice is cut-glass pure.

Lawrence Of Suburbia

Excellent compilation prefaces reissue of 10 classic, eccentric albums
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